Film Review: Gus Van Sant’s ‘Dead Man’s Wire’
After a significant hiatus from the spotlight, Gus Van Sant returns with Dead Man’s Wire, a high-tension thriller that marks a definitive return to the
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Oscar Shortlists Drop as ‘Sinners,’ ‘Wicked: For Good’ Set Early Pace
The Academy of Motion Picture Arts and Sciences has unveiled its Oscar shortlists across 12 categories, offering the clearest picture yet of how the 2026
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SXSW Taps Boots Riley’s ‘I Love Boosters’ as 2026 Opening Night Film
SXSW has made its first major programming move for 2026, handing the opening-night slot to Boots Riley and NEON’s I Love Boosters. The film will
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‘No Other Choice’ Gets One-Night-Only Release on IMAX
No Other Choice, Park Chan-wook’s latest dark-comedy thriller, is getting a one-night-only IMAX release on December 8, 2025, and it is absolutely the kind of
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SXSW Drops First Wave of Artists and Showcases for 40th Music Festival
SXSW has dropped the first wave of its 2026 music lineup, and there’s plenty to unpack. The festival’s 40th edition runs March 12–18 in Austin,
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TIFF Review: ‘John Candy: I Like Me’ A Love Letter to a Comedy Legend
If ever there was a documentary tailor-made to launch the 50th Toronto International Film Festival, “John Candy: I Like Me” fit the bill. Directed by
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SIFF Moves On From Historic Egyptian Venue
Seattle’s film scene is losing one of its most iconic screens. SIFF today confirmed it will not return to the Egyptian Theatre on Capitol Hill,
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Abramorama Nabs North American Rights to ‘Shuffle’
Abramorama has acquired North American theatrical rights to “Shuffle,” the Benjamin Flaherty documentary that captured the Grand Jury Prize for Best Documentary Feature at the
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SXSW at 40: Fresh Venues, New Energy in 2026
SXSW is gearing up for its 40th anniversary with a 2026 festival that looks both familiar and dramatically retooled. With the Austin Convention Center off
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TIFF 50: ‘Carolina Caroline’ Refuels the Outlaw Romance with Gritty Charm
In the high-stakes landscape of the 50th Toronto International Film Festival, Adam Rehmeier’s Carolina Caroline emerged as a standout, proving that the “lovers on the
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