At Seattle Rep, History Isn’t Comfortable in ‘Here There Are Blueberries’
The stage at Seattle Rep turned into a forensic lab this week with the opening of Here There Are Blueberries, a chilling documentary play that
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‘Sinners’ Rewrites the Record Books: Coogler’s Vampire Epic Bites Into 16 Oscar Nods
The Academy of Motion Picture Arts and Sciences woke up with a taste for blood on Thursday morning. Ryan Coogler’s Southern Gothic supernatural thriller, “Sinners,”
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SXSW 2026 Drops First Wave of Film & TV Slate, Apple TV Series Opens
Last month, SXSW announced it had tapped Boots Riley’s latest effort, I Love Boosters, to open this year’s fest. Now, SXSW is sharpening its industry
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‘The Heart Sellers’ Charms Big at Seattle Rep
Seattle Rep’s The Heart Sellers is the the kind of show that sneaks up on you even while you’re in the lobby still fumbling with
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Film Review: Gus Van Sant’s ‘Dead Man’s Wire’
After a significant hiatus from the spotlight, Gus Van Sant returns with Dead Man’s Wire, a high-tension thriller that marks a definitive return to the
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Oscar Shortlists Drop as ‘Sinners,’ ‘Wicked: For Good’ Set Early Pace
The Academy of Motion Picture Arts and Sciences has unveiled its Oscar shortlists across 12 categories, offering the clearest picture yet of how the 2026
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Seattle’s Holiday Season Hits the Stage with Classics and Oddball Detours
It’s that time of year again when the holidays take over Seattle stages. That’s not a bad thing, especially with some of the high-caliber productions
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SXSW Taps Boots Riley’s ‘I Love Boosters’ as 2026 Opening Night Film
SXSW has made its first major programming move for 2026, handing the opening-night slot to Boots Riley and NEON’s I Love Boosters. The film will
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‘No Other Choice’ Gets One-Night-Only Release on IMAX
No Other Choice, Park Chan-wook’s latest dark-comedy thriller, is getting a one-night-only IMAX release on December 8, 2025, and it is absolutely the kind of
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TIFF Review: ‘John Candy: I Like Me’ A Love Letter to a Comedy Legend
If ever there was a documentary tailor-made to launch the 50th Toronto International Film Festival, “John Candy: I Like Me” fit the bill. Directed by
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